![]() ![]() ![]() Faasil's is a performance of sustained brilliance.Įven when Vijay Sethupathi, playing a dreaded drug lord desperately looking for a shipment that has dropped out of sight, steps in to add another striking dimension to the tale, it is Faasil, delivering a characteristically effortless performance that straddles a wide spectrum of emotions, who steals the thunder. He, of course, delivers more than just occasional flashes of genius. The deal is that, with Kamal Haasan stepping away from the spotlight, the script carves out space for Fahadh Faasil, in the guise a plainclothes cop who specializes in dangerous undercover operations, to make his presence felt. No sooner has the song run its course than he disappears for a bit only to resurface in brief flashbacks, leaving the audience wondering what the deal really is. Kamal Haasan, who has produced the film under his Raj Kamal Films International banner, starts off the proceedings with a musical set piece that is hardly of a piece with the rest of the hi-octane crime drama. The latter, on his part, leaves room for co-actors Vijay Sethupathi and Fahadh Faasil to share the limelight in a compelling action thriller packed with explosions, chases, gunfights, hyper-heroic acts and all the stuff that the writer-director needs in order to conjure up a cinematic universe of his own. Vikram: Hitlist does not, however, go overboard with its obeisance to the veteran. Kanagaraj wrote the script with Kamal Haasan primarily in mind. Vikram, which shares its title with a 1986 film in which Kamal Haasan played a secret agent on the trail of an intercontinental ballistic missile that goes missing in transit, revolves around a crusade for a "drug-free world". The hit list movie ending serial#The film has it all - espionage, serial killings, vigilantism, a covert police investigation and a drug bust that unleashes mayhem. The result - released in Hindi as Vikram: Hitlist, Kamal Haasan's first release in four years - isn't without its share of flaws but it is never less than exciting: a potent, persuasive medley of genres. The hit list movie ending full#This is a movie that has its heart in the right place.In his fourth directorial outing, Lokesh Kanagaraj gives full rein to the Kamal Haasan fanboy in him even as he blends elements from a film that the superstar headlined three-and-a-half decades ago with components from the crime-infested universe of his own smash hit Kaithi (2019). But there are also some very original and touching ones. The beauty in this film is in its directness. The movie pays full respect to her loss there isn't a hasty and emotional ending, but a conclusion that shows how Vada makes her accommodation with loss - and a scene within which a deep truth is spoken. Vada is jealous as she begins to lose her father's full attention, but that gets taken care of, too, all in good time.Īnd then something tragic happens, just as it did in "Man in the Moon," and Vada has to learn to accept the hurt of life. The father is played by Dan Aykroyd and the new cosmetologist by Jamie Lee Curtis, and they're both lonely as the movie opens Aykroyd hasn't dated in 20 years, and Curtis confides that she took the job ("even though I don't much like dead people") because she saw that a family lived there and thought it would be good for her. Adults in movies like this are often turned into dotty caricatures, but it says a lot for the filmmakers (director Howard Zieff and writer Laurice Elehwany) that they see their adults as normal people. Thomas J., her best pal, is Macaulay Culkin, in his first role since " Home Alone," and once again he is a solemn, owl-eyed little boy who sees much and says little. Vada is played by Anna Chlumsky, a newcomer who does a good job of creating her smart, curious, gloomy character. And the key to both movies is in affecting, genuine performances. The characters in "My Girl" are a few crucial years younger than those in "Man in the Moon" - Vada is 11 and just this side of the great divide of adolescence - but both movies feature a swimming hole, and a first kiss, and a father who is strict but loving. Like "Man in the Moon," it is about young romance, innocence, tragedy, and growth. "My Girl" is the second recent film about young people learning the realities of life. ![]()
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